William Blake as Natural Philosopher, 1788-1795

William Blake as Natural Philosopher, 1788-1795William Blake as Natural Philosopher, 1788 1795 takes seriously William Blakes wish to be read as a natural philosopher, particularly in his early illuminated works, and reveals the way that poetry and visual art were for Blake an imaginative way of philosophizing.

and how these factors were influenced by the changing political context

and was crucial in the construction of a British national identity

Focusing on topics in the later philosophy

the book is articulated around the emic notion of ‘the adventure’ as a quest to carve out a better life and future

and southern perspectives

Film scholar Mark Browning examines Cronenberg’s literary aesthetic not only in relation to his films’ obvious source material

which assisted in memory

choreographers

examining the ways they represent Auschwitz in their respective pivotal works ‘Akropolis’ and ‘Dead Class’

this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership

Civilising rural Ireland challenges predominant narratives of Irish history that explain the emergence of the nation-state through the lens of political conflict and violence

The book combines professional accounting literature