Things Unsaid I

Things Unsaid II use paper, with its ubiquity, ephemerality, and lack of intrinsic value, because it can be transformed from the ordinary to the extraordinary through the application of paint, the cutting of shapes, and in combination with other papers. Erin mixes found materials and shapes with contemporary painting to connect and collaborate. We love the way she composes her works, finding beauty in reconstruction by creating new forms and layers with color and

She explores the spirit of the colors and movements she observes in an effort to both echo nature and spark our imagination

Tracey’s pattern repetition is reminiscent of a nostalgic wallpaper

Grace’s prints somehow maintain a texture and three-dimensionality

["Photography"

Megan is able to capture so much in the tiny frame of the polaroid

"Off the 5" functions not only as a dusty landscape but its striking color blocking provides an almost abstract composition

an space often overlooked when hanging art

”Morgan expertly navigates thoughtful themes and familiar emotions that come to her in her practice and translates them through abstraction

but to truly experience its layered depth

It opens up to an ideal spontaneity to mark time and memory

I use paper

Fleur Thesmar Archival Print on Luster Photo Paper These double exposure photographs showcase my journey through Paris Initially the city s constant rain and neutral tones felt gloomy but the vibrant displays from Parisian florists brought a newfound joy and inspiration