the green leaf fernand leger

the green leaf fernand legerIn The Green Leaf, Fernand Lger moves away from the human figure to focus attention on a set of stylised objects and shapes. The work reflects his personal language derived from Cubism, in which elements are cut out, simplified and reorganised according to a visual rather than descriptive logic. Nature is not represented realistically; but is integrated into a network of geometric shapes and contrasting volumes. The composition is horizontal and

a young woman

The harmony of geometric shapes and colours reflects a search for balance and coherence

whereas the contemplation of this painting demonstrates all the depth that the work of art can hide

white and red

deep emerald tones and stylised details underline a luxurious and timeless aesthetic

demonstrating Monet's ability to capture the immediacy of a moment

particularly those of Paris

cut by vertical black and white stripes

He depicts Martinique in successive layers of vibrant colours and simplified forms

which he interprets with spontaneity

a horse-drawn cart moves slowly along the road

A dirt road runs alongside a blossoming orchard and leads to a small village surrounded by trees