Sounding Bodies

Sounding BodiesShows how nineteenth century discoveries in acoustical science shaped Victorian literary representations of gender, sexuality, and intimacy. Can the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid nineteenth century, acoustical scientists such as Hermann von Helmholtz and John Tyndall described music as a set of physical vibrations that tickled the ear, excited the nerves, and precipitated muscular convulsions.

Volume I: Foundations of Motion

He examines the debates concerning Einstein and Whitehead on relativity and analyzes the work of Bohm

the urban poor

as well as mobilizing communities for social transformation

contributors analyse and connect these various conceptions

and interested readers

are usable on a large scale

travel on an odyssey with Franz Kafka

and painful conditions

Seacole in Many Lands (1857) is the autobiography of Mary Seacole

This chapter presents the main insect pests attacking cacao in each of the three principal production regions: the Americas

narrates a love story in all its stages