Things Unsaid II

Things Unsaid III use paper, with its ubiquity, ephemerality, and lack of intrinsic value, because it can be transformed from the ordinary to the extraordinary through the application of paint, the cutting of shapes, and in combination with other papers. Erin mixes found materials and shapes with contemporary painting to connect and collaborate. We love the way she composes her works, finding beauty in reconstruction by creating new forms and layers with color and

so they work both vertically and horizontally

These abstract renderings are the perfect addition to any gallery wall

Annette Rotz Chalk pastel on card I m drawn to seeing the richness of color beauty and humor in everyday life It could be a certain quality of light a feeling of deep connection or a striking composition that inspires me to explore and experiment further to reveal a deeper layer

Painting the long fluid lines of these prints evokes a sense of calm

allowing colors to bleed together and slowly bloom

"Off the 5" functions not only as a dusty landscape but its striking color blocking provides an almost abstract composition

Sherman has a unique ability to depict the tactile world around us with vivid colors and gestural brush strokes

["Paintings"]["Fleur Thesmar"]

"Works on Paper"]["Morgan Auten Smith"]

I use the shapes

Erin created them with no specific orientation in mind

This piece works great in a small space